Dos too was a marriage, in more ways than one. Itwas often like abattle, but the cool thing about that is that the battle comes across musically as something that works.

a b c d e f g h Sideleau, Brandon (August 28, 2005). "Slip It In". Punknews.org . Retrieved August 5, 2018. Dos too was a marriage, in more ways than one. It was often like a battle, but the cool thing about that is that the battle comes across musically as something that works The Boston Phoenix February 06-12, 1998: Vol 27 Iss 6". Internet Archive . Retrieved April 18, 2022. That’s a very interesting question, and one that I’ve been asked more often than Ithought I would be. Ican say that I will notbe going on tour. That’snot really on thecards for me.At any given moment, I have 20 songs in some state of completion and process, whether it’s just an idea for a bassline to being somewhat complete Original video and consolidated interviews with Gardner are included in the documentary L7: Pretend We're Dead, released in 2016 and directed by Sarah Price. [15] The film was nominated for a VO5 NME Award for Best Music Film. [16] I learned a lot about how to try and enhance a song without stepping on Mike, who is a very expressive bass player. Because of what we were doing with bass, even when our marriage stopped working I always felt like the music gave us astructure to continue having a kind of relationship when we couldn’t live together any more. A lot of that was driven by our lovefor the bass guitar, truly.”

It’s a big deal to get me out to a club to hear music, and some of that is because I’m very protective of my ears. I rely on them for work and for my joy of music. My husband is retired and is very busy playing golf most days. Things are generally pretty quiet around here.” I have my two Emmys in the front hallway on a little shelf. They are somewhat on display. What’s cool about the Emmys is that they have these wings, or prongs, that would make an excellent potential weapon if someone were to come in my front door that I didn’t want to have come in.” Gardner was born in Altus, Oklahoma [1] on August 1, 1960 [2] [3] to Anne B. Gardner. She had an older brother, Bob, [4] and grew up partly in Citrus Heights, California. [1] Gardner moved to Southern California in 1977. [5] She attended Orange Coast College in 1978 and studied physical anthropology and guitar. [5] In 1980, Gardner moved to Los Angeles. [5] Career [ edit ] Generally speaking, I’m a sound editor, but sometimes I’m a dialogue editor or supervisor. The roles change depending on the project. Ialso work in ADR, which is automatic dialogue replacement when there’s something in a dialogue that isn’t working.

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Larkin, Colin (2007). The Encyclopedia of Popular Music (4thed.). Oxford University Press. ISBN 978-0195313734. People change and grow, or you’re on tour and exhausted, and you express one too many complaints about your discomfort. They just didn’t want to play with me any more, but I don’t think it was my playing that did it.” In a 1993 article for Spin which featured L7 on the magazine's cover, Renée Crist described L7 as "four of the funniest, meanest, strongest, coolest, most pissed-off women I know" and as "wild, rambunctious, spontaneous" with a stage show that "is a wash of buddy love, crowd working, and acrobatics". [11] In 1994, Gardner appeared in the John Waters film Serial Mom as part of the fictitious band "Camel Lips". [12] Bands are like marriages of several people, you know, and just like marriages, it’s amazing when a band stays together for any amount of time. You all have to be so in sync with what you’re trying to achieve, and where you are in your life, and often the personalities work for awhile and then there’s a shift.