Dune [4K Ultra-HD] [Blu-ray] [2021] [Region Free]

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least insofar as the main characters are concerned. I'm less fond of Toto's synth-laden score, but it's reproduced here with excellent fidelity. The entire Dolby Vision gives a depth and richness to the colour palette, the ornate colour schemes of Atreides, against the harsher tone of Harkonnen, but both are sold without wash or bleed. Flesh tones are natural, as are sand tones. Reds and oranges are bold when it comes to explosions, with a palpable heat. intended, and it is full of some very appealing performances, from then new star Kyle McLachlan to a whole host of stellar supporting players, deal of the sensibilities and heart of Herbert's original vision. When adapting material that's now almost six decades old, it's not surprising that a

probably don't benefit from the increased resolution, and grain can definitely spike at times more noticeably in this version than on Arrow's 1080 HD Report is a trusted online news publication with experts in entertainment technology, physical & online media, video gaming, and consumer products. They do include a couple of excellent audio commentaries, one featuring John M. Sammon, the other with Projection Booth podcaster Mike White. Sammon offers a firsthand account around the film’s production as he was there to help with the promotional aspect of the film, having produced the Destination Dune featurette. Here he recounts the previous attempts to get the film made (as far as he knows) and then talks about his discussions he had on set with members of the cast and crew, recounting their impressions of the project. He had a good relationship with Lynch, who he recalls being incredibly friendly towards him, and he was impressed at how well he worked with both actors and members of the crew. But eventually, as Sammon recalls, Lynch became a little more stand-offish, and that had to do with Universal and other studio executives coming down on him, with Lynch then seeing Sammon as a “studio guy.” It’s here where Sammon feels things started falling apart, Lynch becoming less interested in the film thanks to a 2-hour-and-17-minute cutoff time imposed by producers, along with Lynch not getting final cut (Universal also wanted something more like Star Wars, which was clearly not what they were getting). Sammon was working for Universal and was on set a good majority of the shoot, so he ended up gaining a lot of insight into the production and his stories, along with details around the original script, prove to be incredibly valuable.

admirable attempt at reinterpreting Herbert's dense original story... or at least its first half, since the follow-up was only recently green-lit by Warner trouble-free video compression) is its tasteful use of HDR enhancement that highlights the work of colorist David Cole and his team; from otherworldly much of a social life, as you might have guessed). And so, being at least a putative Randian in those days, my introduction to the labyrinthine overcompensation with its perhaps understandable emphasis on exposition, which begins literally right off the bat with Virginia Madsen's opting for this 4K UHD version of the film should be generally well pleased. Many of the pluses of Arrow's release which I discuss in our Dune Blu-ray review are repeated here, and fine detail on things like

Herbert's impressionistic universe where the "spice" (think drug) mélange expands consciousness and is the most sought after element on The UK branch of Universal Studios will release six films directed by David Lynch: Eraserhead (1977), Dune (1984), Blue Velvet (1986), Wild at Heart (1990), Twin Peaks: Fire Walk With Me (1992), and Lost Highway (1997). Street date for all six films is June 4t ... soundfield with a wide array of aural pleasures, not the least of which are the omnipresent wind effects on Arrakis, which whip and pan from channel to slipcover, and a Digital Copy redemption slip. All of the extras can all be found on the included Blu-ray disc; they're each presented in 1080p with

Corrino (José Ferrer, in his best scenery chewing mode), who plots to not only corner the spice market but attain complete power over the universe immersed in its careful world-building. Director Denis Villeneuve's approach to the material shows a lot of respect for Herbert's original vision,

Building The Ancient Future (HD, 7 Mins.) - Some of the set design, props, and look of the film are discussed here.This two-disc release ships in a standard dual-hubbed keepcase with attractive cover artwork (if you like cast collages), a matching matte-finish Dune Costumes (HD; 4:50) is also from 2005 and features interviews with a variety of crew members involved in Warner Bros.' 4K disc provides very strong support including an outstanding 2160p transfer, Dolby Atmos audio, and a nice collection of bonus

Following a notorious aborted attempt by Alejandro Jodorowsky in the 1970s, Frank Herbert’s bestselling sci-fi epic Dunefinally made it to the big screen as the third film by emerging surrealist wunderkind David Lynch, featuring an all-star cast that includes several of Lynch’s regular collaborators. Filmbooks (HD, 10 Mins.) - Five separate segments that reveal clips from the films, storyboards, and narrated information on the subjects at hand that range from the different houses and people in the movie.ambience to even the geekiest student. In my day, there were two camps of book carriers: the rational, Apollonian types who invariably foisted Fine detail aside, the most immediately striking difference between this disc and its Blu-ray counterpart (aside from the 4K's obviously tighter and fascination with the fact that some marketing mavens thought that Dune was the perfect opportunity to make tie in toys and other items